December 3, 2011

I love how “old-fashioned” this interpretation is. It’s how I imagine Schumann might have played this sonata — very heart-on-the-sleeve.

The key relationship of the slow movement is truly exotic. It is in E Major, just a half step above the key of the outer movements. This startling shift rinses away every reminiscence of the first movement, and ushers in a breathtaking new world. It starts with a warm, expressive gesture, but soon makes clear that there will be a lot of subtle tomfoolery strewn into this Adagio. Only the short coda brings us a pure, sweet tenderness. ”

- liner notes from Analekta recording by Anton Kuerti

Haydn / Nadia Reisenberg, 1958: Sonata No. 52 in E flat major, Hob. XVI/52 (2) (L. 62) (by davidhertzberg)

7:04pm  |   URL: http://tmblr.co/Zi1ncxCmhdfI
  
Filed under: piano haydn sonata adagio 
August 13, 2011
"Count Apponyi recounts the evening of September 1, 1876, at Richard Wagner’s home, Wahnfried, during the first Bayreuth Festival.
“A few of us were together at Wahnfried after dinner. Wagner, being tired, had left the company, and Ferencz Liszt took the lead in a conversation which turned on Beethoven’s last sonatas. Liszt was very interesting on the subject. He spoke especially of the famous Hammerklavier, and more particularly of the fine adagio in F Sharp minor which it contains. In the midst of a sentence he stood up and exclaimed: - ‘I will prove it to you!’ - We retired to the music-room, which at Wahnfried reached from the ground level, past the first floor and up to the glass roof. On the first floor there is an open gallery, on which the bedroom doors open, and from which a spiral staircase leads down to the ground floor. In the middle of the hall stood the huge piano, at which Liszt sat down, and filled our souls with the mysticism of Beethoven’s last works…. Liszt seemed once more to have surpassed himself, to have established an inexplicable, direct contact with the dead genius whose interpretation for him was a religious task. When the last bars of the mysterious work had died away, we stood silent and motionless. Suddenly, from the gallery on the first floor, there came a tremendous uproar, and Richard Wagner in his nightshirt came thundering, rather than running, down the stairs. He flung his arms around Liszt’s neck and, sobbing with emotion, thanks him in broken phrases for the wonderful gift he had received.”"

Lizst Plays Hammerklavier

May 19, 2011

So I googled “rapturous mozart adagio” and this came out … perfectly as advertised!

Also, Uchida never fails to astonish.

Mozart- Piano Sonata in F major, K. 280- 2nd mov. Adagio (by PianistThatPractice)

May 1, 2011

Eschenbach - Mozart, Piano Sonata K.332 in F Major - II Adagio (by Stravinskij0)