February 9, 2013

How do you liven up an ordinary day in Newcastle? Play the first movement of the Moonlight Sonata in a bus station, and get commuters to play the single melodic lines. Many of the contributors had never played, and added their single-note contributions through the power of editing. The professional pianist in the video is Andy Jackson.”

via The Collaborative Piano Blog

This is so much fun, and a great way to demystify classical music. I love the “I’m doing it!” look so many of the commuters get on their faces while they plink their one note. 

Bus Station Sonata  (by antnhec)

January 15, 2013
lprnyc:

Stewart Goodyear goes hard on his piano with an all-Beethoven set over here at Le Poisson Rouge tomorrow night. Catch his set starting at 7:30 and pay some tribute to the ol’ Ludwig Van.

lprnyc:

Stewart Goodyear goes hard on his piano with an all-Beethoven set over here at Le Poisson Rouge tomorrow night. Catch his set starting at 7:30 and pay some tribute to the ol’ Ludwig Van.

January 1, 2013
"When I touch the man
I love,
I want to thank my mother for giving me
piano lessons
all those years,
keeping the memory of Beethoven,
a deaf tortured man,
in mind;
of the beauty that can come
from even an ugly
past."

— Diane Wakoski, “Thanking My Mother For Piano Lessons” (via uproarsyouronlymusic)

September 16, 2012
yurimusic:

#beer #beethoven #cat and #piano is a perfect Saturday night (Taken with Instagram)

yurimusic:

#beer #beethoven #cat and #piano is a perfect Saturday night (Taken with Instagram)

11:39am  |   URL: http://tmblr.co/Zi1ncxTVBPSa
  
Filed under: piano beer beethoven cat 
August 15, 2012
“Beethoven 1-32, commissioned by Luminato as part of its 2012 festival, features a series of 32 original drawings by [Jorinde] Voigt, a rising star of the German art scene. It complements Luminato’s presentation of Stewart Goodyear: The Beethoven Marathon, Goodyear’s highly anticipated performance of Beethoven’s 32 piano sonatas, performed all in one day, in the order in which they were composed. Voigt’s works provide their own distinct visual interpretation and expression of the emotive power of Beethoven’s piano music.”
iso05:

“Beethoven 1-32”

Beethoven 1-32, commissioned by Luminato as part of its 2012 festival, features a series of 32 original drawings by [Jorinde] Voigt, a rising star of the German art scene. It complements Luminato’s presentation of Stewart Goodyear: The Beethoven Marathon, Goodyear’s highly anticipated performance of Beethoven’s 32 piano sonatas, performed all in one day, in the order in which they were composed. Voigt’s works provide their own distinct visual interpretation and expression of the emotive power of Beethoven’s piano music.”

iso05:

“Beethoven 1-32”

(via vitormanduchi)

August 15, 2012
Apparently Beethoven had a 10th in mind, and planned to “create in it a new gravitational force”.
beethoven:

Portrait by Hermann Junker.
Click-through is a guardian article with some musings about Beethoven 10.

Apparently Beethoven had a 10th in mind, and planned to “create in it a new gravitational force”.

beethoven:

Portrait by Hermann Junker.

Click-through is a guardian article with some musings about Beethoven 10.

9:19pm  |   URL: http://tmblr.co/Zi1ncxRVWfkP
  
Filed under: beethoven 
August 11, 2012

The Lang Lang showboating is a bit distracting. Barenboim perfectly articulates the way I feel about LL’s playing at around 6:45. Each moment may be perfectly characterized in itself, but they’re not quite stitched together in a way that communicates any understanding of the big picture.

classicmusic:

Barenboim takes us through the Beethoven piano sonatas.

August 6, 2012

wantedchino:

Maling akala. HAHA

August 4, 2012
germanaugmentedsixth:

Thank you Garrett Miller.

germanaugmentedsixth:

Thank you Garrett Miller.

6:43pm  |   URL: http://tmblr.co/Zi1ncxQm5hZr
  
Filed under: beethoven music beach 
August 4, 2012

So light and airy!

thoughtsofadyingmusicmajor:

Okay, I can’t help myself, here’s my second jury piece (well technically they are in no specific order whatsoever.) I played Op. 49 No. 1 for my Spring juries, so I’m glad I got this to follow it up. It’s in a major key, which is nice for a change because I’ve been given a lot of minor key songs >_> I don’t play the Tempo di Minuetto that’s included in this video, just the first half. It’s a simple enough song, I just need to bring it up to performance tempo.