January 2, 2013
toeric:

I saw this tiny piano at the Pera Müzesi in Istanbul and thought of you. I hope you’re feeling anchored and rooted in your piano studies! And if you’re not, start today! Wishing you floaty and light feelings at the same time, though, because feeling rooted by itself isn’t enough - sometimes you have to fly!

toeric:

I saw this tiny piano at the Pera Müzesi in Istanbul and thought of you. I hope you’re feeling anchored and rooted in your piano studies! And if you’re not, start today! Wishing you floaty and light feelings at the same time, though, because feeling rooted by itself isn’t enough - sometimes you have to fly!

7:37pm  |   URL: http://tmblr.co/Zi1ncxapTRSY
  
Filed under: piano museum art 
December 29, 2012
noroominmybrain:

I’m addicted to this show…

noroominmybrain:

I’m addicted to this show…

December 26, 2012

(Source: zuleijka)

December 17, 2012
Peter Samuelson
”How to compose a concerto and make money,” John and friend, Torquay, 1956 (oil on board) 
prepologist:

How to Compose a Concerto

Peter Samuelson

”How to compose a concerto and make money,” John and friend, Torquay, 1956 (oil on board) 

prepologist:

How to Compose a Concerto

November 25, 2012
cuppykatexo:

Spent ages today taking pictures of some of the rad stuff my grandparents have.

cuppykatexo:

Spent ages today taking pictures of some of the rad stuff my grandparents have.

(via cuppykatexo-deactivated20130516)

November 23, 2012
gladtoknowcha:

drawing by Junaida

gladtoknowcha:

drawing by Junaida

8:37pm  |   URL: http://tmblr.co/Zi1ncxXvHCmO
  
Filed under: piano drawing cat art 
October 21, 2012

(Source: facebook.com, via silencetolearnthemusic)

October 13, 2012
books0977:

Girls at the piano (Tata and Katya), 1922. Zinaida Serebriakova (Russian, Art Nouveau, 1884-1967).
The artist’s daughters Tatyana and Ekaterina.
In the 1920s in Paris, she earned a living painting society portraits, but spent free time exploring subjects she had first discovered in Russia. She continued to paint affectionate studies of her daughters, often posing in the nude. She also painted other female models, reclining in her studio with patterned wraps and decorative drapes. Such nude studies were informal, often erotic, characterized by a spontaneous, but firm handling of line.

books0977:

Girls at the piano (Tata and Katya), 1922. Zinaida Serebriakova (Russian, Art Nouveau, 1884-1967).

The artist’s daughters Tatyana and Ekaterina.

In the 1920s in Paris, she earned a living painting society portraits, but spent free time exploring subjects she had first discovered in Russia. She continued to paint affectionate studies of her daughters, often posing in the nude. She also painted other female models, reclining in her studio with patterned wraps and decorative drapes. Such nude studies were informal, often erotic, characterized by a spontaneous, but firm handling of line.

October 6, 2012
myartisticworld:

I really can’t imagine my life without music

myartisticworld:

I really can’t imagine my life without music

10:34am  |   URL: http://tmblr.co/Zi1ncxUlHz8K
  
Filed under: piano music life art lights 
September 21, 2012
markcastator:

Michael Parekowhai’s On First Looking into Chapman’s Homer #art #sculpture #piano #bull #bronze (Taken with Instagram at Te Papa Tongarewa - Museum Of New Zealand)

markcastator:

Michael Parekowhai’s On First Looking into Chapman’s Homer #art #sculpture #piano #bull #bronze (Taken with Instagram at Te Papa Tongarewa - Museum Of New Zealand)

10:03pm  |   URL: http://tmblr.co/Zi1ncxTqepcR
  
Filed under: piano sculpture art bronze bull